Senin, 31 Desember 2012

[W215.Ebook] Ebook The Epigrams of Oscar Wilde, by Oscar Wilde

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The Epigrams of Oscar Wilde, by Oscar Wilde

We sell Rare, out-of-print, uncommon, & used BOOKS, PRINTS, MAPS, DOCUMENTS, AND EPHEMERA. We do not sell ebooks, print on demand, or other reproduced materials. Each item you see here is individually described and imaged. We welcome further inquiries

  • Sales Rank: #1781874 in Books
  • Published on: 1995
  • Format: Import
  • Binding: Hardcover
  • 260 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
The book is an entertaining read and a refresher on Wilde's epigrams
By Kindle Customer
Oscar Wilde was such a brilliant wit that it is both amusing, entertaining and educational to read his epigrams. Many of them I have read before but it is always good just to go over old material and to laugh again at what he has to say. There is not much that is new in the book, if anything, but it does provide an entertaining read and a refresher on Wilde's epigrams.

0 of 0 people found the following review helpful.
Oscar Wilde Must-Have
By Maya Gray
This is a must have if you are a fan of Oscar Wilde. I consult it all the time, it is my second bible. Definitely worth the money to buy it hardcover. Thanks

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Jumat, 28 Desember 2012

[K311.Ebook] Ebook Ranxerox - Happy Birthday, Lubna, by Stefano Tamburini

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Ranxerox - Happy Birthday, Lubna, by Stefano Tamburini

American comic graphic novel. Fantasy science fiction art

  • Sales Rank: #3114874 in Books
  • Published on: 1985
  • Binding: Hardcover
  • 50 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Amazing
By Rustam Davletshin
perhaps the most beutifully drawn comic I have ever seen, the best also out of the three ranxerox books. Beyond its illustration the book is also teeming with some of the most pervese people imaginable, its simple lack of any kind of moral sence makes it worth having. (as a warning the newer copies of this comic, those published in america, have been censored and the paper was glossed over. So if you do intend to get this book get the original version the new one is worth squat.)

1 of 1 people found the following review helpful.
Classic Euro Scifi humor
By GMan58
I was surprised that I got the hardcover version. Although it wasn't pristine...I wasn't expecting it on dated material like this. I was therefore pleasantly surprised when it arrived and it now sits proudly with my other comic/comic strip/ and graphic novel collection.http://www.amazon.com/gp/product/0874160081/ref=cm_cr_rev_prod_img

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Senin, 24 Desember 2012

[O812.Ebook] Ebook Download Applications of Item Response Theory To Practical Testing Problems, by F. M. Lord

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Applications of Item Response Theory To Practical Testing Problems, by F. M. Lord

Published in 1980, Applications of Item Response Theory To Practical Testing Problems is a valuable contribution to the field of Education.

  • Sales Rank: #1903105 in eBooks
  • Published on: 2012-11-12
  • Released on: 2012-11-12
  • Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
a classic
By Alan Mead
In this book one of the founders of modern test theory concisely describes many of the most important issues facing psychologists today. Even two decades later, it is still quite applicable. The only negative thing I can think to say is that it is quite concise, using equations in preference to lengthy prose, and yet leaves out proofs. Also, multidimensional and polytomous models and not described.

0 of 0 people found the following review helpful.
A classic in IRT
By Claire
This book helps to understand the fundamental concept of item response theory.
If you have somewhat strong mathematical knowledge, then this book would be really helpful.

0 of 0 people found the following review helpful.
Five Stars
By hek
got it earlier and it is like a new. Thanks

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Selasa, 18 Desember 2012

[A406.Ebook] Free PDF Dawn and the Older Boy (Baby-Sitters Club (Quality)), by Ann Matthews Martin

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Dawn and the Older Boy (Baby-Sitters Club (Quality)), by Ann Matthews Martin

Dawn has met Travis, an older boy, and she knows he's the perfect boy for her. The Baby-sitters think that smooth talking Travis is no good and plan to tell Dawn just that.

  • Sales Rank: #1290306 in Books
  • Published on: 1997-04
  • Original language: English
  • Number of items: 1
  • Dimensions: .39" h x 5.20" w x 7.53" l,
  • Binding: Paperback

Most helpful customer reviews

4 of 4 people found the following review helpful.
good book
By A Customer
As a kid in elementary school, I was a devoted BSC fan, and this was one of my favourite books. I love the books where the girls are into boys and dating, and this is a good example. Dawn was naive and falling for Travis, a cute 16 year old boy who was also from California, but in the end she stands up to him and doesn't let him take advantage of her like he was by buying her presents to lead her on. What a jerk!

3 of 3 people found the following review helpful.
Realistic, and Heartwarming.
By sarah_says
Dawn is my favorite character in the bsc series-she is independent, fun, and stands up for what she believes in. So I thought that it was such a good idea that Ann M Martin chose Dawn to be the one out of all the girls to fall for an older boy. Dawn hardly gets to have a love interest, those fun story lines always goes to Stacey. So it was nice to see strong, independent Dawn be weakened. Not because I don't like her, but it goes to show that even the strongest people have their moments, especially when it comes to matters of the heart. Dawn really likes Travis, but does he like her as much as she likes him? That is the question. I also love Mary Anne's advice to Dawn-you'll see what I mean after you read the book.

This book is amazing for anyone who is going through a heartbreak or has already gone through one, it is hard for us to see the truth because we are blinded by our feelings.

This book makes me think about one of my favorite sayings "Sometimes it's better to forget what we feel, and remember what we deserve."

2 of 2 people found the following review helpful.
Stacey's mistake
By A Customer
In this book,Dawn meets a friend of Charlie's ( kristy's older brother)

And falls in love with him. Even though he is in high school. She is in middle school. Anyway, she sees him at the park- with hie girlfriend. She also saw him kiss her. Dawn was heart broken.

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Jumat, 14 Desember 2012

[K938.Ebook] Ebook Free On the Track: A Guide to Contemporary Film Scoring, by Fred Karlin, Rayburn Wright

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On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.

  • Sales Rank: #500553 in Books
  • Published on: 2004-01-10
  • Released on: 2004-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.27" w x 8.50" l, 3.45 pounds
  • Binding: Paperback
  • 560 pages

From Library Journal
This is a detailed, comprehensive textbook directed at composers and meant to be used in conjunction with videocassettes or films, VCRs with audio-dub capabilities, soundtrack albums, other books, periodicals and trade publications, and advice from experts, 77 of whom are quoted. A "click book" of over 200 pages, used to precisely calculate musical tempos in conjunction with film cues, is included. Highly technical exercises appear with blank staffs for notation, turning part of the book into a workbook. The psychological aspects of film music work are not neglected, however; chapters on creativity and on the interdependence of many people involved in making a film score give good advice. The practical aspects of getting a job in this sector of the music business are also covered. A specialized title for libraries serving composers and film makers.
- Bonnie Jo Dopp, District of Columbia P.L.
Copyright 1990 Reed Business Information, Inc.

Review
'A stupendous book that doesn't scant in offering details about the complex world of the music composition for movies ... It is obligatory reading for the composer that wants to enter the wonderful world of filmscoring.' – Audiomidilab, Community of Music Technology

About the Author

Fred Karlin won an Oscar for Best Song for "For All We Know." an Emmy for his score for The Autobiography of Miss Jane Pittman,and numerous other industry awards. He is the author of Listening to Movies (1994).

The late Rayburn Wright created the Jazz Studies and Contemporary Media Masters Program at the Eastman School of Music of the University ofRochester and erved as director and professor of the department from 1970 until his death in 1990.

Most helpful customer reviews

14 of 16 people found the following review helpful.
Incredible...
By Rev
If there is one book that is essential for today's aspiring film composers, THIS IS IT!

It answered all the questions I had, as well as several I didn't!

The score examples are very helpful in clarifying the techniques of film scoring.

If you are an aspiring film composer, get this book. IT IS A MUST!

34 of 34 people found the following review helpful.
The Greatest and Most Complete Book I Ever Seen. Don't care about its price
By Giovanni Williams
This is the greatest book I ever seen. It' a complete guide for film and tv scorig. It analyses every aspects and tasks of the film music production for a composer. From the spotting to the business... It explains very clearly the concepts, also with a lot of quotations from today's most famous film composers, editors, executives, producers, directors... (more than 100 professionals have contributed with quotations to this 'bible'). There are many many printed score examples. It is very up to date, with modern films examples, and there's also a chapter concerning digital music composition. I've copied the whole contents pages, so you can see this book professionality.

Just don't care about the price, it's really a great investment. I was in doubt to buy it for the price, but when I've opened it I've realized that my money was spent in a great way.

CONTENTS
of On the Track by Fred Karlin and Rayburn Wright

Foreword by John Williams
Preface to the First Edition
Preface to the Second Edition
Acknowledgments for the First Edition
Acknowledgments for the Second Edition
Introduction
How iv Use This Book

I PRELIMINARIES

1 The Filmmaking Team
Meeting the Filmmakers. The Director. Communicating with the Director. Support and Guidance. Two-Way Dialogue between Director and Composer. The Producer. The Producer's Power. Communicating with the Producer. The Film Editor. The Music Editor. Music Executives and Supervisors.

2 The Script, Meetings, and Screenings
The Script. The First Meeting before Screening the Film. The First Screening. First Cut, Fine Cut, and Assembly. The First Discussion after Screening the Film. Composing before the Film Is Finished.

3 Role Models and Temp Tracks
Specific Film Scores or Cues as Role Models. Specific Film-Scoring Styles Used as Role Models. Specific Classical Pieces or Styles Used as Role Models. The Composer's Use of Role Models. Evoking a Role Model Inadvertently. Role Models and Plagiarism. Temp Tracks. Music Editors and Temp Traclcs--How It's Done. Why Filmmakers Use Temp Tracks. How Composers Work with Temp Tracks.

4 Spotting the Film
Talking It Over. Making Decisions. When To Use Music. Starting a Cue. Ending a Cue. Short Cues, Transitions, and Long Cues. The Importance of the Acting. The Director Communicates. Spotting Notes and Timing Notes. Changes in the Spotting after Scoring. Score Lengths.

5 Budgets and Schedules
Cost Factors. Figuring Costs. Working with a Smali Budget. Scoring Union or Nonunion. The Assumption Agreement. Working with the Contractor. Composing Fees. Budget Estimates. Time to Compose. Copying Time.

II CONCEPTUALIZING

6 Developing the Concept
Characterization. The Central Character. The Singie Dramatic Theme. Two Dramatic Themes. Ethnic/Geographic Considerations. Musical Styles. Combining Two or More Stylistic Elements. The Process of Elimination. Scores for Study.

7 Demonstrating the Score: Mockups and Electronics
Electronic Mockups. Mockups for Communication. Changes.

III TIMINGS
8 Timings and Clicks I
Free Timing. Using Clicks and Clock. Metronome Equivalents. When Timings Don't Sync. Requirements on Extremely Accurate Hits. Ritards, Fermatas, Accelerandos.

9 Timings and Clicks II
Music Editors. Cut Back Cues and Split Chases. Tempo and Mood Changes within Cues. Meter Changes within Cues. Timings with a Calculator. Using Videorecorders, Digitized Video and SMPTE Time Code. Drop-Frame or Non-Drop-Frame? Avoiding Confusion in Math Problems. Hardware and Software.

IV COMPOSING
10 Playing the Drama
Audience Expectations. Don't Tip the Story. Tone. Main Titles. Whose Point of View to Play? Playing the Overview. Playing What the Scene is Really About. Getting Inside the Character's Feelings. Playing the Environment or Location. Playing the Situation. How Intensely to Play the Drama less Is More/Understating the Drama. Avoiding Emotion. De-emphasizing a Scene. The Power of Silence. Playing through the Drama. Phrasing the Drama. Hitting the Action. Highlighting. Red Herrings. Scoring the Film Like a Ballet. Underscoring the Dialogue. Scores for Study.
11 Genres and Source Music
Genres. Action. Comedy. Documentaries. Historical and Period. Horror. Source Music. Interweaving Source and Score. Scores for Study.

12 Composing
Creative Considerations: Work Process. Intuition and the Subconscious. Writer's Block. Preparation. Planning the Score. Organizing the Score. Unity and Variety. Research. Tempo or Pulse. Personal Taste and Style. Beginning the Sketch.

13 UsingMelody
Motifs. Multiple Motifs. Unaccompanied Melody. Two-Voice Texture. Giving the Melody Character. Adapting a Theme. Hit Records. Scores for Study.

14 Using Harmony
Harmonic Languages. Harmony Resulting from Linear Writing. Harmonic Pedal Point and Ostinatos. Using Harmony for Characterization. Using Harmony as a Theme. Tension. Scores for Study.

15 Using Rhythm
Tempo and Pulse. Sketching the Rhythms. The Percussion Section and Electronics. The Orchestra as Rhythm. Rhythm as a Thematic Idea. Rhythmic Ostinatos. Uneven and Changing Meters. Polyrhythms. Scores for Study.

16 Using Orchestration
Characterizing the Film's Dramatic Theme. Suggesting Locale with Color. Symphonic Orchestration. Fresh Sounds and Interesting Combinations. Change the Color, Change the Emotion. Orchestral Effects. Smail Budgets. To Orchestrate or Not to Orchestrate? Sketches. MIDI Sketches. Transposed or Concert Pitch-Scores? The Art of Orchestration. The Composer/Orchestrator Relationship. Orchestrating from MIDI Sketches. Using Synths and Orchestra Together. Typical Orchestra Setups. Know the Instruments. Short Cuts. Orchestration Schedules. Changes. Other Practicalities. The Business Aspects of Orchestration. Scores for Study.

17 Technical and Practical Considerations
Technical Considerations. Streamers. Recording. Practical Considerations. Preparing to Record. Save Your Music. Checklists.

V RECORDING
18 Recording: The Scoring Stage
The Scoring Stage. Underscoring, Prerecording, and Set Recording. Scoring Primarily or Completely with Electronics. Prerecording Electronic Tracks. Prerecording Acoustic Tracks and Soloists. Planning. The Mixer. Producing the Music. Conducting. Conducting Aids. Film Sound. Recording Format. Headset Mixes. Rehearsal Protocol. Creative Responses. Working with the Director. Changes on the Scoring Stage. Recording. Working with the Mixer. Playbacks. Overdubbing (Layering or Stacking). Prerecording an On-Screen Performance. Time Pressures on the Stage. Recording Away from Home. Timing Corrections while Recording. Postmixes and Sound Processing. Using Samples in Final Mix. Remixing for a Soundtrack Album.

19 Dubbing: The Final Mix
The Composer on the Dubbing Stage. The Dubbing Stage and the Participants. Preparing the Music for Dubbing. Predubbing. The Music Mixer. Dubbing Stage Sound. First Adjustments during the Mix. Overail Music Levels. Changing/Losing Cues. As the Director Sees It. Dubbing Stage Protocol. Dubbing with Dialogue. Losing a Score. Dubbing Schedules. Previews. Scores for Study. VI ELECTRONIC AND CONTEMPORARY SCORING

20 Using Electronic Music
Electronic Instruments as Acoustic Re-creations. Electronic Instruments for Unique Sounds. Blending Electronic and Acoustic Instruments. Scoring with Electronics. Recording Electronic Music. Scores for Study.

21 Using Contemporary Music
Using Contemporary Rhythm Sections. Contemporary Scores. A Closer Look at Three Contemporary Scores. Scoring with a Solo Artist. Scoring with a Group. Contemporary Source Music. Scores for Study.

22 Scoring for Television
Television Series. Main Titie Themes. Composing. Working with the Producers. Dubbing. Scoring with Orchestra. Scoring Long Form. The Use of Songs. Television!Film Differences.

VII SONGS
23 Musicals and Prerecording
Prerecording (Prescoring). Prerecording Grease and Fame. Postrecording (Postscoring). The Classic Musicals and Beyond.

24 Songs
The Functions of a Song. Content. Songwriting Collaboration. Syncing the Lyric to the Visuals. Rewriting, or Writing Another Song. Demonstrating the Song. The Artist. Hits and Big Business. Footloose: An Origina1 Compilation Song Score. Yentl: An Origina1 Song Score by One Team of Writers.
VIII THE BUSINESS
25 The Business
Getting the Job. Moving from Television to Films. Demos. Being Heard. Agents. Film and Television Deal Points. Commercials. ASCAP and BMI. Music Budgets. Licensing. Soundtrack Albums. Music and Business.

Epilogue. On the Track
The Interviewees and Authors
Appendix A. Study Assignments
Appendix B. Footage/Timing Conversions
Appendix C. Calculator Methodfor Timings
Appendix D. Drop-Frame
Glossary
End Notes
Bibliography
Web Sites
Music Excerpts
Index

6 of 6 people found the following review helpful.
No detail left uncovered
By Sean McMahon
This is a tremendous book on film scoring. For a long time it was really the only book on film scoring. And this edition is far better than the previous one. The previous one was massive because it contained a "Click Book" at the end, which was a like a huge matrix that would help you figure out how to calculate sync-points. It's completely irrelevant today so I'm glad they nixed that part of the book.

A couple of my former instructors from USC's film scoring program are interviewed in it, namely, Christopher Young and David Spear. And those two composers have helped me become the composer I am today. I have written the score to a film called "The Grudge 3" that was produced by Spider-Man 3 director Sam Raimi, and from the series that first starred Sarah Michelle Gellar.

I also worked for Christopher Young closely for many years and orchestrated 27 Hollywood features including Spider-Man 3, Ghost Rider and Fantastic Four 2.

Now, my resume includes head of music composition at a leading contemporary 4-year music college. If you're really serious about becoming a successful film composer visit [...]. I teach an online crash course on how to start working as a film composer.

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  • Sales Rank: #4142650 in Books
  • Published on: 2012-06-30
  • Original language: Spanish
  • Binding: Paperback
  • 400 pages

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After you bring home a vintage sewing machine, what next? Learn how to clean up, restore, maintain and perform all the basic tasks you need to get up and running on one of the most popular models ever produced - the Singer 66. From simple tasks like oiling and threading to using attachments, this book has it covered. Don't be afraid to give a vintage machine a try!

  • Sales Rank: #620421 in Books
  • Published on: 2015-04-17
  • Original language: English
  • Dimensions: 9.00" h x .31" w x 6.00" l,
  • Binding: Paperback
  • 132 pages

About the Author
Michelle has been sewing most of her life, thanks in large part to her mother. While her interest in all things vintage is recent her love of making things arose early on.

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3 of 3 people found the following review helpful.
great for other types of treadle sewing machines
By Bridget Striker
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Excellent Book
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Husband bought the book for me. Just inherited a Treadle Singer Machine.plus Cabinet. All my questions were answered by the author. Thank you Michelle. 9-18-2015

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  • Sales Rank: #942445 in Books
  • Published on: 1991-12-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.70" w x 8.60" l, 40800.00 pounds
  • Binding: Hardcover
  • 576 pages

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13 of 13 people found the following review helpful.
Buy it, look at it, keep it
By David Akiyama
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Open: An Autobiography, by Andre Agassi

#1 NATIONAL BESTSELLER

Far more than a superb memoir about the highest levels of professional tennis, Open is the engrossing story of a remarkable life.
 
Andre Agassi had his life mapped out for him before he left the crib. Groomed to be a tennis champion by his moody and demanding father, by the age of twenty-two Agassi had won the first of his eight grand slams and achieved wealth, celebrity, and the game’s highest honors. But as he reveals in this searching autobiography, off the court he was often unhappy and confused, unfulfilled by his great achievements in a sport he had come to resent. Agassi writes candidly about his early success and his uncomfortable relationship with fame, his marriage to Brooke Shields, his growing interest in philanthropy, and—described in haunting, point-by-point detail—the highs and lows of his celebrated career.

  • Sales Rank: #10067 in Books
  • Brand: Vintage
  • Published on: 2010-08-10
  • Released on: 2010-08-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .80" w x 5.10" l, .82 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Great product!

From Booklist
Agassi has always had a tortured look in his eyes on the tennis court. In 1992, when he burst onto the world sports stage by winning the Grand Slam at Wimbledon, he looked like a deer in headlights. Nobody seemed more surprised and upset by his big win that day than he did. For good reason, too. Agassi hated tennis. This is the biggest revelation in his very revealing autobiography. Agassi has hated tennis from early childhood, finding it extremely lonely out on the court. But he didn’t have a choice about playing the game because his father drove him to become a champion, like it or not. Mike Agassi, a former Golden Gloves fighter who never made it professionally, decided that his son would become a champion tennis player. In militaristic fashion, Mike pushed seven-year-old Andre to practice relentlessly until the young boy was exhausted and in pain. He also arranged for Andre, age 13, to attend a tennis camp where he was expected to pull weeds and clean toilets. The culmination of all of this parental pushing came when Andre began winning as an adult. But it didn’t make him happy. Within this framework, Agassi’s other disclosures make sense. He had a troubled marriage to Brooke Shields that didn’t last. He developed a drug problem that sabotaged his career. He was insecure about everything. Only when Andre met tennis star Steffi Graf (whom he eventually married) did things begin to change. Readers will definitely cheer when Andre finally makes peace with the game he once hated and learns to enjoy it. --Jerry Eberle

Review

A New York Times Notable Book and a Forbes, San Francisco Chronicle, and Washington Post Best Book of the Year

“Agassi may have just penned one of the best sports autobiographies of all time. Check—it’s one of the better memoirs out there, period. . . . An unvarnished, at times inspiring story [told] in an arresting, muscular style. . . . Agassi’s memoir is just as entrancing as his tennis game.”
—Time
 
“Fascinating. . . . Inspiring. . . . Open describes Agassi’s personal odyssey with brio and unvarnished candor. . . . [Agassi’s] career-comeback tale is inspiring but even more so is another Open storyline. It could be called: The punk grows up. . . . Countless athletes start charitable foundations, but frequently the organizations are just tax shelters or PR stunts. For Agassi helping others has instead become his life’s calling. . . . Open is a superb memoir, but it hardly closes the books on an extraordinary life.”
—The Wall Street Journal

“Honest in a way that such books seldom are. . . . An uncommonly well-written sports memoir. . . . Bracingly devoid of triumphalist homily, Agassi’s is one of the most passionately anti-sports books ever written by a superstar athlete.”
—The New York Times
 
“Not your typical jock-autobio fare. This literate and absorbing book is, as the title baldly states, Agassi’s confessional, a wrenching chronicle of his lifelong search for identity and serenity, on and off the court.”
—Los Angeles Times

“The writing here is exceptional. It is can’t-put-down good.”
—Sports Illustrated
 
“An honest, substantive, insightful autobiography. . . . The bulk of this extraordinary book vividly recounts a lost childhood, a Dickensian adolescence, and a chaotic struggle in adulthood to establish an identity. . . . While not without excitement, Agassi’s comeback to No. 1 is less uplifting than his sheer survival, his emotional resilience, and his good humor in the face of the luckless cards he was often dealt.”
—The Washington Post
 
“The most revealing, literate, and toes-stompingly honest sports autobiography in history”
—Rick Reilly, ESPN
 
“Much more than a drug confession—Agassi weaves a fascinating tale of professional tennis and personal adversity. . . . His tale shows that success is measured both on and off the court.”
—New York Post
 
“Not only has Agassi bared his soul like few professional athletes ever have, he’s done it with a flair and force that most professional writers can’t even pull off.”
—Entertainment Weekly
 
“[A] heartfelt memoir . . . Agassi’s style is open, all right, and his book, like so many of his tennis games, is a clear winner.”
—O, The Oprah Magazine
 
“Hard-won self-knowledge irradiates almost every page of Open. . . . Not just a first-rate sports memoir but a genuine bildungsroman, darkly funny yet also anguished and soulful. It confirms what Agassi’s admirers sensed from the outset, that this showboat . . . was not clamoring for attention but rather conducting a struggle to wrest some semblance of selfhood from the sport that threatened to devour him.”
—The New York Times Book Review
 
“A riveting and reflective memoir by a man who rose to the top of his sport—despite hating it.”
—San Francisco Chronicle
 
“Celebrity tell-alls have rarely been this honest and this interesting.”
—Baltimore Sun
 
“A vivid portrait of the internal battle faced in some measure by every athlete.”
—Bloomberg News
 
“Articulate. . . . Expertly rendered.”
—The Morning News (Boston)
 
“Refreshingly candid. . . . This lively, revealing, and entertaining book is certain to roil the tennis world and make a big splash beyond.”
—Publishers Weekly

About the Author

Andre Agassi played tennis professionally from 1986 to 2006. Often ranked number one, he captured eight Grand Slam singles championships. Founder of the Andre Agassi Charitable Foundation, he has raised more than $85 million for the Andre Agassi College Preparatory Academy for underprivileged children in Las Vegas, where he lives with his wife, Stefanie Graf, and their two children.
 
Visit the author's website: www.agassifoundation.org

Most helpful customer reviews

480 of 504 people found the following review helpful.
This book will change you. In a good way.
By A&H
So you're thinking this might be one of those recently retired famous people books aren't you? One where a celebrity, or a Politician, or a sports star cranks out hundreds of pages of self-serving, history-correcting drivel in order to cash the big advance check. A book you can't even bring yourself to finish; better than a tranquilizer at bedtime.

Well, this is certainly not that book. "Open" is a journey that I predict will stay with you for a very long time. It's a completely unexpected trip to places you've never been. I'm not one of those quasi-professional reviewers you see on Amazon. But this book practically made me write about it.

Interestingly, Open starts not at the beginning and not quite at the end. Second round, US Open, 2006.

Not the final match of Andre's career--but the one right before that.
Against a competitor you'd never heard of before or since.
The battle was against the guy across the net, and also Andre's hatred of tennis, his failing body, the demons that he harnessed to get through the unending heroic contest that seemed destined to continue until both just fell into a heap on the court. And it is so well told.

After 20 pages, I knew that this was unlike any other biography I had ever read. Couldn't put it down. Couldn't stop thinking about it. Agassi dug deeper inside than most of us ever will have to, to get to core of what made him so powerful as a player and so conflicted as a person. It is all conspicuously real: The small moments, the outlandish triumphs and the friendships that sustained him and/or corrupted him. The gauntlet he had to run through to arrive at the balance and joy he has today. It's transformative.

The headlines about this book have mostly related to Andre's drug use when he was at his lowest. But honestly, although it marked the place from which he recovered and flourished, it's only an incidental part of this story. The story is actually about perseverance, intelligence and raw talent all baked together into a very, very large American life.

If Open doesn't win a Pulitzer Prize, something is terribly wrong. Can I nominate it?

106 of 114 people found the following review helpful.
Image Is Everything
By prisrob
Andre Agassi has written a 'tell-all' book about his life in tennis. And, it turns out, he hated tennis. That was a bigger shocker to me than the salacious fact that he was on 'crystal meth'for a period of time. J.R. Moehringer, the author of 'A Tender Bar' and a Pulitzer Prize winner for his writing was a co-author of this autobiography. Andre loved Moehringer's writing in 'The Tender Bar', and he is correct, the man's writing and the book are excellent. This book, too, is very well written and is an exceptional read.

Andre tells us that he started playing tennis at the age of 3 and by the age of 5 he was showing an aptitude for the game. He was pushed by his father-an obsessive man who pushed his son too far and too much. In fact his father felt that education was not necessary and a hindrance to his tennis practice. Andre could never tell his father how much he hated the game because it was Andre's responsibility to help his family, and that is what he did. He left school in the ninth grade, something that has bothered him his entire career. His goal was to achieve in tennis. He was enrolled in the Bollettien tennis camp, but it felt more like a prison than a camp. The academy, in Agassi's words, was "Lord of the Flies with forehands." In retaliation Andre started wearing earrings, grew his hair long and wore loud clothes. Thus his reputation was born. As his career started to flourish, Andre, tried to keep it all together. He was known as the flamboyant player, the real player. He played the best tennis players in the world, and he was one of the best. He had an eye for the ball, and the 'tell' of players when they were about to hit the big one.

Andre Agassi talks about his rivals, the ones who were boring, the ones who kept it all together and the the real players; Pete Sampras, Boris Becker and Jimmy Connors The book is at its best when the game of tennis is being discussed. Each play during the tournaments and how he figured out how to win. He talks of his marriage to Brooke Shields, he never really wanted to be married, just like he never really liked to play tennis. His crystal meth years, the spiel he gave the Tennis Association when he tested positive for drugs. He finally met and married Steffi Graf and found the happiness that had so long eluded him.
He has built a life and a foundation that sponsors a charter school. He gave the first graduation speech and wowed the crowd. A ninth grade drop-out he has achieved success and fame. He has found his life and he has become Open. For anyone who loves tennis, this is a book that will be a fascinating look at the life of a giant in the tennis world and told in words that best describes him. He finally lives down his famous words 'Image Is Everything'.

Highly Recommended. prisrob 11-09-09

The Tender Bar

96 of 105 people found the following review helpful.
Inspiring - Must Read
By A. Velautham
We have all read the press and watched the news; the drug allegations, the "I hate tennis". Tennis fans aren't quite sure whether they should feel cheated for all the love and support they have given Andre, to me the book set things straight.

Most of us look back at chapters of our lives and can identify with particularly unhappy periods. Andre kicks off the book with what was going through his head with the match against Baghdatis in the 2006 US Open. It is a blow by blow account of key parts of the match and a thought provoking glimpse into the mind and heart of a tennis player. He then goes straight into his childhood, the discomfort and unhappiness of being the child prodigy son of an obsessive father. There are weirdly honest stories - his grandmother tried to breastfeed him, very disturbing but a revelation of a dysfunctional upbringing. What seems to carry Andre through his childhood are friendships with his brother Phil and Perry who later becomes his manager. The importance of the childhood friendships are critical and from the way they are explained it is easy to understand why these friends are crucial figures for Andre.

The critical friendship is that of his mentor/guide/life coach/surrogate father Gill Reyes. Andre is taken under his wing and treated with the love and respect a father should treat his son, you sense through the stories in the book that now they have met each other neither could really exist happily without the other. His marriage with Brooke Shields is dealt with candidly, many will buy this book to find out what celebrities do behind closed doors. Whereas I did think Brooke appeared superficial from some of the things mentioned here, I think it merely shows how fame affects people differently. It appears that fame as a child makes people so perception orientated that perceptions are more important than anything else - who can judge the pressures these guys live through? Perfectly understandable in my opinion.

The drugs issue is dealt with here but only for a few pages in the book. The very weird thing is it doesn't seem like a big deal to me. Like most fans I was shocked and somewhat critical of the damage to his sport. But, I could understand after reading the book how stupid mistakes can be made. Off the book for a second truth is he wouldn't have got the endorsements for 10's of millions had he been suspended, or there would have been a clause in his existing deals that he would have broken had the allegations come out. However, reading the book and seeing what has been done with the money I can't help but feel it was better for everyone that nothing came out at the time.

Andre talks about his attraction to Stefanie from many years back, the courting process is just the same as you or I. We all have been through that 'has the phone just rung?' depression when expecting a call from someone we are interested in. It does feel almost story like the way they end up together, but we all have a story like this just not in the press.

Players are mentioned here all the time, the interesting one for me was Becker 'B.B. Socrates' they call him because he 'tries to appear intellectual but is just an overgrown farmboy', this is going to do nothing for Becker's ego. The rivalry with Becker seems more important than that with Sampras - who would have thought?

Another of those important times for Andre was a meeting with Mandela, a truly humbling experience for anyone. This times perfectly with the starting of his Charter school and I presume was a defining moment for him.

Overall, hey I got the book yesterday and I read 325 pages the first day this should tell you all you need to know. I felt sorry for Andre with his childhood but towards the end I understood how his father really wanted the best for everyone. Andre is surprisingly influenced by anyone he trusts - guided more by his heart than his head, he appears to live life to please for much of the book which is pretty much the way a child acts. His first marriage is what everyone else wants to see but he is developing on another level through his interactions with his trainer Gil, the goalposts are always changing as he tries understands what he wants from life. His 'hate' of tennis develops into an appreciation and respect.

When you read this book you will see parallels between what you go through in life with what a celebrity goes through but you go through it perhaps without the press. It is incredibly well written, so well written in fact that most will not credit Andre for the writing. This is what is says it is, an autobiography not just a tennis manual. Enjoy!

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A Black Woman Discovers Her Family's Nazi Past My Grandfather Would Have Shot Me (Hardback) - Common, by Jennifer Teege and Nikola Sellmai

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  • Sales Rank: #1254737 in Books
  • Published on: 2015
  • Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
A must read (esp. for those interested in the psychology of WWII)
By Krista Müller
Jennifer Teege answers every question and emotion that one could possibly experience after discovering her grandfather's legacy. Spellbound by the German version, I had to give this English version to my father who has always read as much as he could on WWII and who already has a pile of books he's trying to get to. It's a must read.

0 of 1 people found the following review helpful.
Five Stars
By Bron Taylor
Amazing book. Full of historical details I didn't know.

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